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ROXY PAINE BIOGRAPHY
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1966
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Born in New York, NY
Pratt Institute, New York, NY
College of Santa Fe, NM
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SELECTED SOLO EXHIBITIONS
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2006
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New Work, James Cohan Gallery, New York, New York
Roxy Paine: PMU, Portland Art Museum, Oregon
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2004
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Defunct, Aspen Art Museum, Aspen, CO (ongoing)
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2003
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Roxy Paine/Second Nature, SITE Santa Fe, Santa Fe, AZ
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2002
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Inoculate, James Cohan Gallery, New York, NY
James Cohan Gallery, New York, NY
Roxy Paine/Second Nature, CAM, Houston, TX; Rose Art Museum, Brandeis University, Waltham, MA
Bernard Toale Gallery, Boston, MA
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2001
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MoCA, PMU (Painting Manufacture Unit), Miami, FL
Christopher Grimes Gallery, Santa Monica, CA
James Cohan Gallery, New York, NY
Galreie Thomas Schulte, Berlin, Germany
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1999
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Ronald Feldman Fine Arts, New York, NY
Roger Bjorkholmen Gallery, Stockholm, SwedenY
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1998
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Renate Schroder Galerie, Koln, Germany
Musée D’Art Americain Giverny, Giverny, France. Traveled to Lunds Kunsthall, Lund, Sweden.
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1998
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Temple Gallery, Tyler School of Art, Temple University, Philadelphia, PA
Ronald Feldman Fine Arts, New York, NY
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1995
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Ronald Feldman Fine Arts, New York, NY
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1992
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Herron Test-Site, Brooklyn, NY
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1991
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The Knitting Factory, New York, NY
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SELECTED GROUP EXHIBITIONS
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2006
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Uneasy Nature, Weatherspoon Art Museum, North Carolina
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2005
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DRAWING, Christopher Grimes Gallery, Santa Monica, CA
Ecstasy: In and About Altered States, organized by Paul Schimmel with Gloria
Sutton, Museum of Contemporary Art, Los Angeles, CA (catalogue)
MATERIAL TERRAIN: A Sculptural Exploration of Landscape and Place,
Laumeier Sculpture Park, St. Louis. MO (traveling)
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2004
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PILLish: Harsh Realities and Gorgeous Destinations, Museum of Contemporary
Art, Denver, CO
Flower Myth. Vincent Van Gogh to Jeff Koons, Fondation Beyeler, Riehen/Basel,
Switzerland
Defunct, Aspen Art Museum, MO (ongoing)
Paintings that Touch Themselves, or so it seems, Kresge Art Museum, MI State
University, Lansing, MI
25th Anniversary, The LA Years, Part II, Christopher Grimes Gallery, Santa
Monica, CA
The Flower as Image, Louisiana Museum for Moderne Kunst, Humlbaek, Denmark
Between the Lines, James Cohan Gallery, New York
Natural Histories: Realism Revisited, Scottsdale Museum of Contemporary Art, AZ
May 29 - September 12, 2004
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2003
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2003 Work Ethic, Baltimore Museum of Art, Baltimore, Maryland,
October 12, 2003- January 11, 2004; and at the Des Moines
Center for the Arts, May 15 - August 1, 2004
UnNaturally, organized by Independent Curators International(ICI), curated by
Mary-Kay Lombino. Travelled to:Contemporary Art Museum, University of South
Florida, Tampa, FL; H&R Block Artspace at the Kansas City Art Institute, Kansas
City, MO; Fischer Gallery, University of Southern California, Los Angeles, CA ;
Copia: The American Center for Wine, Food and the Arts, Napa, CA; Lowe Art
Museum, University of Miami, Coral Gables, FL (January 2003 - November
2004, catalogue)
The Great Drawing Show 1550-2003 A.D., Michael Kohn Gallery,
Los Angeles, CA; April 12-May 31, 2003
Decade, Schroeder Romero, Brooklyn, NY; April 11- May 19, 2003
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2002
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Breaking the Charmed Circle, Christopher Grimes Gallery, Santa Monica, CA
Whitney Biennial, Whitney Museum of American Art, New York, NY
UnNaturally, Long Beach Museum of Art, Long Beach, CA; Contemporary Art Museum, University of South Florida, Tampa, FL
In the Making, CCAC Wattis Institute, San Francisco, CA
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2001
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All-Terrain, Contemporary Arts Center, Virginia Beach, VA
NMAC, Montenmedio, Outdoor Sculpture Park, Cadiz, Spain
01.01.01, San Francisco Museum of Modern Art, San Francisco, CA
Give and Take, Serpentine Gallery, London, England
A Contemporary Cabinet of Curiosities - Selections from the Vicki and Kent Logan Collection, California College of Arts and Crafts, Oakland, CA
Making the Making, Apex Art Curitorial Program, New York, NY
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2000
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WanŒs 2000, The WanŒs Foundation, Knislinge, Sweden
From a Distance: Approaching Landscape, Institute of Contemporary Art, Boston, MA
5th Lyon Biennale of Contemporary Art: Sharing Exoticism, Lyon, France
Extra Ordinary, James Cohan Gallery, New York, NY
Vision Ruhr, Dortmund Coal Factory, Dortmund, Germany
The Greenhouse Effect, Serpentine Gallery, London
Sites around the City: Art and Environment, Arizona State University Art Museum, Tempe, AZ
Greater New York: New Art in New York Now, P.S. 1, New York in collaboration with The Museum of Modern Art
The End, Exit Art/The First World, New York, NY
Visionary Landscape, Christopher Grimes Gallery, Santa Monica, CA
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1999
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Best of the Season: Selected Work from the 1998-99 Gallery Season, Aldrich Museum of Contemporary Art, Ridgefield, CT
WILDflowers, Katonah Museum of Art, Katonah, NY
Working In Brooklyn: Beyond Technology, Brooklyn Museum of Art, Brooklyn, NY
As Far As the Eye Can See (catalogue), Atlanta College of Art Gallery, Atlanta, GA
Interlacings: The Craft of Contemporary Art, Whitney Museum of American Art at Champion, Stamford, CT
22/21, Emily Lowe Gallery/ Hofstra Museum, Hempstead, NY
Elise Goodheart Fine Arts, Sag Harbor, NY
DNA Gallery, Provincetown, MA
Nine International Artists at Wanas 1998, Wanas Foundation, Knislinge, Sweden
Landscapes, Meyerson & Nowinski, Seattle, WA
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1997
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Redefinitions: A View From Brooklyn, California State University, Fullerton, CA
9 to 5 at Metrotech: New Commissions for the Commons, The Public Art Fund, Brooklyn, NY
Best of the Season 1996-97 (catalogue), The Aldrich Museum of Contemporary Art, Ridgefield, CT
Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY
Sculpture, James Graham & Sons, New York, NY
Summer of Love, Fotouhi Cramer Gallery, New York, NY
Artists Respond to 2001: Space Odyssey, Williamsburg Art and Historical Society, Brooklyn, NY
Benefit for Pat Hearn, Morris-Healy Gallery, New York, NY
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1996
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Inside Out, Momenta Art, Brooklyn, NY
Currents in Contemporary Art, Christie's East, New York, NY
Inside: The Work of Art, California Center for the Arts, Escondido, CA
Wish You Were Here, Bronwyn Keenan Gallery, New York, NY
New York State Biennial, New York State Museum Albany, NY
Withdrawing, Ronald Feldman Fine Arts, New York, NY
Multiples, Pierogi 2000, Brooklyn, NY
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1995
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Lookin' Good-Feelin' Good, 450 Broadway Gallery, New York, NY
Imaginary Beings, Exit Art/The First World, New York, NY
Art on Paper (catalogue), Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC
Human/Nature, The New Museum of Contemporary Art, New York, NY
Better Living Through Chemistry, Randolph Street Gallery, Chicago, IL
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1994
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Red Windows: Benefit for the Little Red School House, Barney's Windows, New York, NY
Spring Benefit, Sculpture Center, New York, NY
Garden of Sculptural Delights, Exit Art/The First World, New York, NY
Free Falling, Berlin Shafir Gallery, New York, NY
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1993
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UNTITLED (14), Ronald Feldman Fine Arts, NY
INFLUX, Gallery 400, Chicago, IL
4 Walls Benefit, David Zwirner Gallery, New York, NY
Fantastic Wanderings, Cummings Art Center, New London, CT
Extracts, Islip Art Museum, Islip, NY
Popular Mechanics, Real Art Ways, Hartford, CT
Outside Possibilities '93, The Rushmore Festival at Woodbury, NY
The Nature of the Machine (catalogue), Chicago Cultural Center, Chicago, IL
Out of Town: the Williamsburg Paradigm (catalogue), Krannert Art Museum, University of Illinois, Champaign, IL
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1992
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Fever, Exit Art, New York, NY
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1991
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Group, Jiminez Algus Gallery, Brooklyn, NY
Entropy, Generator 547, New York, NY
Tweeking the Human, Brand Name Damages and Minor Injury Galleries, Brooklyn, NY
The Ego Show, Minor Injury, Brooklyn, NY
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1990
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Desire and Deception, Brand Name Damages, Brooklyn, NY
Ridge Street Gallery, New York, NY
Roxy Paine & David Fasoldt, Brand Name Damages, Brooklyn, NY
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SELECTED BIBLIOGRAPHY
Exhibition Catalogs and Books
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Sites Around the City: Art and the Environment. Arizona State University Art Museum, 2000
Art on Paper. Essay by Tom Kocheiser. Greensboro, NC: Weatherspoon Art Gallery, The University of North Carolina, 1995.
As Far As the Eye Can See. Atlanta, GA: Atlanta College of Art Gallery, 1999.
Best of the Season: Selected Works from 1996-97 Gallery Exhibitions. Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1997.
Fineberg, Jonathan. Art Since 1940: Strategies of Being. Englewood Cliffs, NJ: Prentice Hall, 1995.
Fineberg, Jonathan. Art Since 1940: Strategies of Being. Second Edition. New York, NY: Harry Abrams, 2000.
The Greenhouse Effect. Essays by Julia Peyton-Jones and Lisa Corrin. London, England: The Serpentine Gallery, 2000.
In vitro landscape. K?ln, Germany: Buchhandlung Walther K?ing, 1999.
Out of Town: the Williamsburg Paradigm. Champaign, IL: Krannert Art Museum, University of Illinois, 1993.
The Nature of the Machine. Chicago, IL: Chicago Cultural Center, 1993.
Redefinitions: A View from Brooklyn. Essays by Annie Herron and Matt Freedman. Fullerton, CA: Departmental Association Council and Associated Students, 1997.
22/21. Essay by Robert Morgan. Hempstead, New York: Hofstra University, 1998.
vision.ruhr. Dortmund, Germany: Dortmund Coal Factory, 2000.
Wanas 1998. Essay by Robert Storr. Klislinge, Sweden: The Wanas Foundation, 1998.
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Periodicals
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2005
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Kimmelman, Michael. “A Mind Bending Trip Down a Rabbit Hole,” New York Times, November
4, 2005: B31, B38
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2002
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Pagel, David. “Reality and irony collide,” Los Angeles Times, January 2, 2004, pp E1 and
E40.2002
Miller, Francine Koslow. "Roxy Paine," Tema Celeste, July/August 2002: 91.
Madoff, Steven Henry. "Nature vs. Machines? Thereâs No Need to Choose," New York Times, June 9, 2002.
Trainor, James. "Whitney Biennial," Tema Celeste, May/June 2002: 108-109.
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2001
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Knight, Christopher. "Roxy Paine," Los Angeles Times, 15, June 2001: F26.
Mill. Francis. "010101: Art in Technological Times," NY Arts, Vol. 6 no. 1, January:71.
Muchnic, Suzanne. "Museum Chief, Version 2.0," Los Angeles Times, Calendar Section, 18, March 2001: 5, 90.
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2000
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Cambell, Clayton. "The Visionary Landscape," Flash Art 33.211 (March-April 2000): 62.
Frank, Peter. "Gallery Picks of the Week: Visionary Landscape." L.A. Weekly, February 11-17, 2000.
Goldman, Edward. "Art Talk with Edward Goldman: Visionary Landscape." KCRW 89.9 FM (Santa Monica, CA), January 10-11, 2000.
Hall, James. "The Greenhouse Effect." ArtForum 38.5 (January 2000): 41.
Heiss, Alanna. "Greater New York." NYArts, vol. 5.3 (March 2000): 44-45.
Johnson, Ken. "Extra Ordinary." New York Times, June 9, 2000, E29.
Levin, Kim. "Natural Wonder." Village Voice, June 27, 2000, 113.
Levin, Kim. "Jim Toia." Village Voice, June 27, 2000, 114.
Nordlinger, Pia. "Double Dipping." ArtNews 99.3 (March 2000): 34.
OâConnell, Kim. "Fungus Among Us." Landscape Architecture (March 2000): 14.
Saltz, Jerry. "Greater Expectations." Village Voice, March 14, 2000, 67.
Searle, Adrian. "Stuck in the Woods." The Guardian [England], April 4, 2000, 14-15.
Staple, Polly. "The Greenhouse Effect." Art Monthly (May 2000): 38-40.
"The Visionary Landscape." Off the Wall [Exhibition Preview, Los Angeles monthly calendar of events], February 2000.
Tumlir, Jan. "The Visionary Landscape: Christopher Grimes Gallery." Freize 52 (May 2000): 114.
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1999
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Ahlstr?m, Crispin. "Mellan natur och kultur." G?teborgsposton (Sweden), April 14, 1999.
Allerholm, Milou. "Konstguiden." Dagens Nyhetter (Sweden), March 26-31, 1999.
Bakke, Eric. "Roxy Paine, Studio Visit." NYarts, 28 (January 1999): 44.
Bakke, Erik and Shelley Ward. "Mob Rule: Sculpture After Hanson." NYarts, 4.3 (March 1999): 10-13.
Billgren, Cecilia. "Utvecklingsstord lamnades ensam." Arbetet Nyheterna (Sweden), March 6, 1999.
Burrows, David. "Dunkin' Donuts." ArtMonthly, 224 (March 1999): 6-10.
Bydler, Charlotte. "Roxy Paine I svamparnas rike." Aftonbladet [Sweden], March 16, 1999.
Ellerstr?m, Jonas. "Drogromantik eller kulturkritik?" Helsingborgs Dagblad (Sweden), March 22, 1999.
Ericsson, Lars. "Konstguiden." Dagens Nyhetter [Sweden], March 5, 1999.
Ericsson, Lars O. "Tankem?nster pΠdrift." Dagens Nyheter [Sweden], March 19, 1999.
Hall, Kim. "Brooklyn-komstn?r pa Lunds konsthall" Skanska Dagbladet (Sweden), March 6, 1999.
Henry, Max. "Gotham Dispatch." Artnet Magazine HYPERLINK http://www.artnet.com/magazine/news/henry/html.
Johnson, Ken. "Roxy Paine." The New York Times, January 15, 1999, p. E42.
Jonsson, Dan. "Tur och retur till naturen." Express (Sweden), March 25, 1999.
Kino, Carol. "Roxy Paine." TimeOut NY, 176, February 4-11, 1999, p.57.
Kjellgren, Thomas. "Under ytans ordning finns det okontrollerbara." Kristianstadsbladet (Sweden), March 25, 1999.
_____. "Tillbaka till naturen: Roxy Paines omsorfgsfulla lekfullhet smittar." Hallandsposten, (Sweden) March 26, 1999.
Klein, Mason. "Roxy Paine." Artforum vol. 37, no. 8 (April 1999): 123.
Klinthage, J?rgen. "Inget l?mnas Œt slumpen." Norra SkŒne [Sweden], March 20, 1999.
Klinthage J?rgen. "Vart behov att beh?rska naturen." Arbetet Nyheterna (Spring), March 22, 1999.
Kyander, Pontus. "Art Gallery filled with unnature." Sydsvenskan (Sweden), March 9, 1999.
Lautman, Victoria. "No Weeding Necessary." Interview (January 1999), p.20.
Levin, Kim. "Roxy Paine." Village Voice, January 12, 1999: 77-78.
Levin, Kim. "Roxy Paine" Village Voice, January 26, 1999, p.68.
Lin, Tan. "Fungi of False Reproduction." ArtByte vol.2, no.1 (April/May 1999): 64.
Malmqvist, Conny C-A. "Roxy Paine gorett konststycke...." Kv Kv?llsposten (Sweden), March 16, 1999.
Maxell, Douglas. "Roxy Paine." Review, 4.9, February 1, 1999, p. 7.
Muller, Mario. "Roxy Paine." Review, 4.9, February 1, 1999, p. 7-9.
Nahas, Dominique. "Roxy Paine." Flash Art, vol. 32, (May-June 1999): 114-115.
Nordstrom, Nicklas. "2000 svampar ger eftertanke." Lund Langl?rdag (Sweden), March 6, 1999.
Orstadius, Brita. "Illusionist med perspektiv." BorŒs Tioning [Sweden], April 4, 1999, B4.
Pedersen, Victoria. "Gallery Go 'Round: Roxy Paine." Paper (February 1999): 136.
Pinchbeck, Daniel. "Our Choice of Contemporary Galleries in New York." The Art Newspaper, 89, February 1999, p.72.
"Roxy Paine." Artseensoho. HYPERLINK http://www.artseensoho.com/Art/FELDMAN/paine99/paine1.html.
"Roxy Paine." The New Yorker, February 1, 1999, p.12.
"Roxy Paine." HYPERLINK http://www.newyork.citysearch.com (January 19, 1999)
"Roxy Paine." Simon Says, 3.6 (February 1999): 2.
Schwabsky, Barry. "Surrounded by Sculpture." Art in America, 87 (January 1999): 56-59.
Str?m, Eva. "Nice flowers with chilly undertone." Svenska Dagbladet (Sweden), March 13, 1999.
Tapper, Gordon. "Roxy Paine Show at Ronald Feldman." HYPERLINK http://newyork.citysearch.com/New_York/Arts_Entertainment/ Art_Galleries/ (22 January 1999).
Weil, Rex. "Roxy Paine." ARTnews 4.98 (April 1999): 119-120.
Zeylon, HŒkan. "F?rledande likt verkligheten." SkŒnska Dagbladet [Sweden], March 31, 1999.
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1998
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Ahlstr?m, Crispin. "Intelligenta naturlekar." G?teborgs-Posten (Sweden) June 5, 1998, p. 48.
Bonetti, David. "What It Is 'To Be Real'." San Francisco Examiner, January 12, 1998, C-1, p. 17.
"Champs artificiels... et machine ˆ peindre." Eure Inter (France), 9 juillet 1998.
"Champs artificiels et machine ˆ peindre au mus?e d'art am?ricain de Giverny." Le Democrate (France), 1 juillet 1998.
Cooney, Beth. "The Craft of Art." The Advocate & Greenwich Time October 11, 1998: ARTS, D3.
Costa, Eduardo. "Crafty Contemporanea." HYPERLINK http://www.artnet.com/magazine/reviews/costa
Fredericksen, Eric. "Landscapes and Suburbs: Beyond Nature." The Stranger, February 5, 1998).
Frey, Jennifer. "Lacing Art and Craft into One Form." Weekend, September 10- September 16, 1998.
Gignoux, Sabina. "Les jeux ambigus d’une naturelle inspiration." La Croix (France), 3 ao?t 1998.
Glueck, Grace. "A Chair, a Fireplace, Binoculars: Sculpture to Be Seen on the Street." New York Times, January 16, 1998, p. E39.
Hackett, Regina. "Warmth and romance prove elusive in Meyerson & Nowinski's 'Landscape'" Seattle Post-Intelligencer, January 9, 1998.
"In the Public Realm." Inprocess 6, no. 3, Spring 1998, p. 5.
JK. "An Opium Field – Deceptively Natural." Kolner City-Observer, May 14, 1998.
Kyander, Pontus. "Elegant och intelligent." Sydsvenskan (Sweden), May 27, 1998.
"Les champs de Roxy Paine." La Depeche d'Evreux (France), 2 juillet 1998.
Lind, Ingela. "Naturen som hot." Dagens Nyheter (Sweden), July 30, 1998.
"Paper Trail. " On Paper vol. 2, no. 3 (January-February 1998): 7.
Sch?n, Margaretha. "Med freestyle och Insiders I Wanas Walk." Svenska Dagbladet (Sweden), June 13, 1998, p. 13.
Updike, Robert. "Beyond Pretty Scenery." Visual Arts (1998).
Zimmer, William. "Seven Artists Apply Craft to Fine Art." The New York Times, October 11, 1998; Art 24.
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1997
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"Aldrich gives award to 'emerging' artist." The Ridgefield Press, October 23, 1997.
Arning, Bill. "Brooklyn in the House." Village Voice XLII, no. 34, August 26, 1997, p. 87.
Baker, Kenneth. "When Reality is Just Another Medium." San Francisco Chronicle Datebook, December 23, 1997.
"Best Do-It-Yourself Art Kits: Roxy Paine." NY Press Best of Manhattan vol. 10, no. 39 (Sept. 24-30, 1997): 197.
Chaiklin, Amy. "Studio Visits: Roxy Paine." NY Arts, no.14 (October 1997): 12.
Dalton, Jennifer. "Just What Do You Think You're Doing Dave?" Review vol 2, no. 19 (July/August 1997): 20.
Dellolio, Peter. " Roxy Paine." New York Soho, (April 1997): 19.
Gibson, David. "Roxy Paine: Ronald Feldman Fine Arts." Zingmagazine, no. 4 (Summer 1997): 301-02
Goleas, Janet. "Roxy Paine: Dunk/Redunk; Ronald Feldman Fine Arts." Zingmagazine, no. 4 (Summer 1997): 249-50.
Levin, Kim. "Roxy Paine." The Village Voice: Voice Choices XLII, no. 14 ,April 8, 1997, p. 13.
Nassau, Lawrence. "Current Undercurrent: Working in Brooklyn." NY Arts, no. 14 (October 1997): 16.
Pedersen, Victoria. "Gallery Go Round." Paper, (April 1997): 54.
Pollack, Barbara. "Buying Smart: Top Collectors Share Their Secrets." ARTnews vol. 96, no. 11 (December 1997): 137-139.
Schmerler, Sarah. "Last Exit to Brooklyn,." Time Out New York, no. 97 (July 31- August -7, 1997): 40.
Smith, Roberta. "Roxy Paine." The New York Times, Friday, April 4, 1997, p. C-28.
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1996
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Levin, Kim. "Choices." The Village Voice XLI, no. 11, Voice Choices, March 12, 1996, p. 8 .
Smith, Roberta. "'Inside/Out'." The New York Times , September 20, 1996.
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1995
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"Also of Note." The New York Times, Friday, May 19, 1995, p. C28.
"Check it out." The Print Collector's Newsletter XXVI, no. 5 (November- December 1995): 177.
Clarke, Donna. "Chowing with Mao." New York Post, Monday, May 1, 1995, p. 23.
Drucker, Johanna. "The Next Body: Displacements, Extensions, Relations." Les Cahiers du Musee national d'art moderne. (Spring 1995).
"Galleries." New York Press 8, no. 21, May 24-30, 1995, p. 56.
Heartney, Eleanor. "Roxy Paine at Ronald Feldman." Art in America 83, no. 11 (November 1995): 110-11.
Hess, Elizabeth. "Cross Hatching." The Village Voice XL, no. 20, May 16, 1995, p. 86.
Humphrey, Jacqueline. "Art on Paper acquistiions reflect a new Weatherspoon." Greensboro News & Record, November 17, 1995.
Levin, Kim. "Choices." The Village Voice XL, no. 20, Voice Choices, May 16, 1995, p. 8 .
Light, Flash. "The Neo-Kinetic Closet." Movements 4, no. 1 (Fall 1995): 1,9-11.
"Sacraments for a High Priest." Harper's 291, no. 1742 (July 1995): 22.
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1995
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Hicks, Robert. "Group seeks to wed sculpture and theater." The Villager, March 23, 1994.
Larson, Kay. "The Garden of Sculptural Delights." New York (March 28, 1994).
Levin, Kim. "Choices." The Village Voice, April 5, 1994, p. 73.
"1993 in Review: Alternative Spaces." Art in America 82, no. 8 (August 1994): 34.
Wallach, Amei. "An Exuberant Celebration of Life." New York Newsday, Friday, April 1, 1994.
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1994
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Bulka, Michael. "The Nature of the Machine." New Art Examiner (September 1993): 30-31.
Robinson, Julia. "Flesh Art." World Art (November 1993).
Smith, Roberta. "Examining Culture Through Its Castoffs." The New York Times, Sunday, November 28, 1993, pp. 39, 44.
Zimmer, William. "How Physics is Raised to Metaphysics in a Real Art Ways Show in Hartford." The New York Times, July 4, 1993.
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1993
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Bulka, Michael. "The Nature of the Machine." New Art Examiner (September 1993): 30-31.
Robinson, Julia. "Flesh Art." World Art (November 1993).
Smith, Roberta. "Examining Culture Through Its Castoffs." The New York Times, Sunday, November 28, 1993, pp. 39, 44.
Zimmer, William. "How Physics is Raised to Metaphysics in a Real Art Ways Show in Hartford." The New York Times, July 4, 1993.
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1992
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Egert, Robert. "Roxy Paine at Test-Site." Breukelen 1 (January 1992).
Hess, Elizabeth. "Give Me Fever." The Village Voice, December 29, 1992, p. 95.
Kimmelman, Michael. "Promising Start at a New Location." The New York Times, December 18, 1992.
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1991
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Sellers, Terry. "Review." Artist Proof (Fall 1991): 4-6.
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1990
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Blake, Kit. "Review." Word of Mouth (September 1990): 5.
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AWARDS
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Trustees Award for an Emerging Artist, Aldrich Museum of Contemporary Art, Ridgefield, CT.
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PUBLIC COLLECTIONS
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University of Nebraska at Lincoln, Lincoln, Nebraska
Hirshhorn Museum, Smithsonian Institution, Hirshhorn Museum and Sculpture Garden,
Washington, DC
St. Louis Art Museum, St. Louis, MO
The New School for Social Research, New York, NY
The Progressive Corporation, Cleveland, OH
Wanas Foundation, Knislinge, Sweden
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Artist's page
© Christopher Grimes Gallery
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