Christopher Grimes Gallery is pleased to announce a solo exhibition of new works by Lucia Koch. Throughout her career Lucia Koch has become known for her interventions within existing architecture, either through her use of sculpture, photography, video or colored filters. In this, her second exhibition with the gallery, she will intersect the entire space with a gradient printed on fabric — something that moves in space but is constant, subtle, transformative and never repeating. In addition, ordinary windows will be replaced with colored panels disrupting one’s expectation, and images of small, empty containers enlarged to architectural scale disassociate the photographs from their references and challenge how we relate to space. Through all of these strategies, Koch elevates basic elements of architecture to effect change in one’s immediate atmosphere and physical surroundings.
Lucia Koch (b. 1966, Porto Alegre, Brazil) lives and works in São Paulo, Brazil. She has recently participated in Prospect 3, New Orleans, LA (2015), curated by Franklin Sirmans; Cruzamentos: Contemporary Art in Brazil, Wexner Center for the Arts, Columbus, OH (2014); A Sense of Place, Pier 24 Photography, San Francisco, CA (2014); and Re-emerge: Towards a New Cultural Cartography, 11th Sharjah Biennial, United Arab Emirates (2013). She has been included in the 11th Biennale de Lyon, France (2011); 27th Bienal de São Paulo, Brazil (2006); 2nd, 5th and 8th editions of the Mercosul Biennial in Porto Alegre, Brazil (1999, 2005 and 2011); and the 8th Istanbul Biennial, Istanbul, Turkey (2003). Her work has been included in such exhibitions as, Another Place, Museum of Modern Art of São Paulo, Brazil (2011); and When Lives Become Form, Yerba Buena Center for Arts, San Francisco, CA (2009) and Contemporary Art Museum, Tokyo, Japan (2008). Koch’s work is in the collections of the Los Angeles County Museum of Art, CA; Pinacoteca do Estado de São Paulo, Brazil and Museu de Arte Moderna de São Paulo, Brazil, among others. In 2016 she will be the subject of a solo exhibition at the Museum of Modern Art, Rio de Janeiro, Brazil.